For agencies · UK and worldwide, remote
I'm Stan Hunter. Sixteen years in Adobe Creative Suite, a BA (Hons) in Art & Design, and four years making AI imagery, AI video and code-built motion every day. White-label, remote worldwide.
An extra pair of hands who already knows the print side, the brand side and the AI side, and delivers in your files under your name.
Campaign stills, product shots in new scenes and short product films, made with Flow (Veo), Runway, Midjourney, FLUX and ComfyUI, then finished in Photoshop so labels and shapes stay accurate.
Case study: phone photo to commercialBrand identities, logos, packaging, brochures, signage and apparel graphics, set up properly for print with bleed and taken through production.
AI video for product and mood, plus motion graphics built in code with HyperFrames: explainers, kinetic type and social cut-downs at every size.
Eleven boards from the portfolio. Spec and university projects are labelled as such.
Check availability Download the portfolio PDF 5 MB
A phone photo of a can turned into a cinematic product spot in Google Flow (Veo). Self-initiated spec work, not commissioned.
Read how it was made
Short macro product-style clips: glass, liquid and ink. Self-initiated studies.
Cinematic stills with film-style lighting, shallow depth of field and grain, finished in Photoshop.
Crest-style mark and wordmark, carried onto a tee range.
From sketches and a mind map to a collab mark, merch, event kit and outdoor. University brief.
An energy drink range and supplement tubs: flavour system, can and tub artwork, 3D renders and promo panels.
Marks across trades, fitness, hospitality, physio, legal and streetwear.
Roller banners, posters, shop fronts and vehicle livery, set up for print and taken through large-format production.
Tee and hoodie graphics, client workwear printed by DTF, and embroidery mock-ups.
Pet portraits and merch art, a gig poster, and a character set for a mobile game.
Embify, client websites and stream overlay packs.
Send the brief, get an estimate in days, and the work comes back in your files.
Branding and packaging artwork for national food and drink brands, brochures, posters and collateral across the Adobe suite, signage and vehicle wraps.
Logos and brand identities from concept to style guide, signage, advertising, 3D product visuals, animation and retouched photography.
Apparel mock-ups in Adobe CC for client sign-off, DTF production, product photography and promo video.
An AI embroidery-file product designed, built and run solo, and an AI consultancy for small businesses.
Each brief gets a written quote before any work starts. Book a free call or send the brief to get one.
Yes, by default. Work goes out under your agency's name, I am happy to sign your NDA, and I only show a project in my own portfolio with your permission.
Yes. Everything is delivered remotely over email, Microsoft Teams or your agency's project tool, on UK hours (weekdays 9am to 5pm) with overlap for Europe and the US East Coast. On-site days are possible across the North West of England.
Two kinds. AI video: product films, macro motion and cinematic shots made with Google Flow (Veo), Runway and Higgsfield. And motion graphics built in code with HyperFrames: animated explainers, kinetic type and social clips, rendered to MP4 at any size. I do not use After Effects.
For images: Midjourney, FLUX, Stable Diffusion and ComfyUI, Nano Banana Pro, GPT Image and Adobe Firefly. For video: Google Flow and Veo, Runway and Higgsfield. For voice and music: ElevenLabs and Suno. Each brief is run through two or three models to find the right look, then finished in Photoshop.
Yes. Real products, from clothing to cars and cans, are placed into AI-generated scenes and checked so labels, logos and shapes stay true. Anything the model gets wrong is corrected in Photoshop before delivery.
Layered Adobe files (AI, PSD, INDD), print-ready PDFs with bleed, PNG and JPG exports, and MP4 video at the sizes you need. I note which tool made each AI asset so your team can check its terms against the client's needs.
A BA (Hons) in Art & Design (2:1) from the University of Chester, plus Graphic Design Level 3, Photography Level 2 and Creative & Media Level 2 from Southport College, and 16 years using Adobe Creative Suite.
Not sure about something? Book a free call with Stan.